DOBROV, G.W., (ed.),
Beyond Aristophanes. Transition and Diversity in Greek Comedy.
Scholars Press, Atlanta, 1995. XV,209p. Paperback.
'For the most part, the essays are compact, and clearly written. They treat important themes or historical issues, i.e., how comedy used myth, how it did or did not sustain dramatic illusion, what became of the comic chorus. Several of the contributors put forward some possible links between 'Old' and 'Middle' comic drama on the basis of new readings of the fragments. The volume is valuable for these close readings alone. Scholars who have more experience with the material will welcome fresh discussions of these fragments. And undergraduates will find in some of the essays a model of the methodology which the fragments require for their study and understanding.' (TIMOTHY P. HOFMEISTER in Bryn Mawr Classical Review 97.2.2).
Contents: H.-G. NESSELRATH: Myth, Parody, and Comic Plots: The Birth of Gods and Middle Comedy (pp.1-29); N.W. SLATER: The Fabrication of Comic Illusion (pp.29-47); G.W. DOBROV: The Poet's Voice in the Evolution of Dramatic Dialogism (pp.47-99); K.S. ROTHWELL jr.: The Continuity of the Chorus in Fourth-Century Attic Comedy (pp.99-119); R.M. ROSEN: Plato Comicus and the Evolution of Greek Comedy (pp.119-139); G.W. DOBROV and E. URIOS-APARISI: The Maculate Music: Gender, Genre and the 'Chiron' of Pherecrates (pp.139-175). From the library of the late Prof. W. Geoffrey Arnott.
€ 28.50
(Antiquarian)