EURIPIDES,
Heracles. With Introduction and Commentary by G.W. Bond.
Clarendon Press, Oxford, 1981. XXXV,429p. Cloth wrps. Pages due to the paper quality yellowed. (Rare thus).
'A high work of human genius, an education, an inspiration, a resounding defeat for barbarism.' According to L. MacNeice (The Strings are False, p.137) that is how E.R. Dodds regarded Wilamowitz’s Herakles. That work was of course more than just a commentary on a single play. The first volume, a comprehensive introduction to all aspects of the study of Greek Tragedy, verges on becoming an introduction to classical philology as a whole. By itself, however, the commentary was truly epoch-making because of its range and omni-competence. I succeeded in establishing the goals to which the modern commentator on an ancient author feels he must aspire. Dodds himself in his Bacchae triumphantly achieved the Wilamowitz ideal. In this latest welcome addition to Oxford's claret-coloured commentaries on Euripides, Godfrey Bond takes on Wilamowitz's own play and, in my opinion, succeeds in coming closer to Dodds than any other commentator in this series. Perhaps the most striking differences in approach between B. and Wilamowitz lie in the realms of biography and psychology. Where Wilamowitz tended to explain a particular utterance with reference to the state of mind of the speaker, B. will account for it in terms of Euripidean rhetoric. Where choral utterances were taken by Wilamowitz as expressions of the personal opinions and feelings of the poets, B. relates them to the context of the play and to the formal conventions of choral lyric. (…) B.'s comments on the rhetorical structure of Euripidean 'rheseis' (…) are outstandingly good and his treatment of the choral odes I have not seen bettered in any commentary on tragedy.' (DAVID BAIN in The Classical Review (New Series), 1983, p.7). From the library of the late Prof. W. Geoffrey Arnott.
€ 67.50
(Antiquarian)