Scrinium Classical Antiquity

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    Euripides and the Full Circle of Myth. Harvard University Press, Cambridge, 1974. VII,152p. Cloth wrps. some pencil marks form WGA. Personal summary WGA loosely inserted. In a four-part essay Cedric Whitman analyzes the three 'romances', 'Iphigeneia in Tauris', 'Helen', and 'Ion', placing them in the poet's work as a whole. The keynote is myth, not as a collection of outmoded stories to be rejected or rationalized by the 'philosopher of the stage', but as a fulfilling pattern of personal redemption, never completed in the other extant plays. In this reading, the controversial gods of Euripides are seen as characters in a greater scheme, the myth, rather than as parodies of religion or objects of atheistical satire. The theme of purity, or spiritual wholeness, wrought into the poetic texture, appears as a recurrent symbol of what redemption means to the struggling protagonists. This is an elegant piece of criticism, both in its conception and in its style. (Publisher's information). From the library of the late Prof. W. Geoffrey Arnott. (Antiquarian)  (approx. delivery time: undeliverable)

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